la biennale di venezia 2008
beauty- biennale danza

Stephen petronio Dance Company
Venezia, 15 giugno

 

di Aliyah Hussain

Collegamenti rapidi:

 

-Stephen Petronio Dance Company

Beauty and the brut

Dark electro beats mixed with seedy narrative was the premise for the first section of the trio of dances. The narrator told of an encounter on a beach with a freaky American guy who was trying to seduce her. The sections of the narrative are cut up and repeated to fit with the beats of the music. The dead pan sound of the woman’s voice mixed with her naive and slightly dense sounding way of speaking made the music and narrative feel slightly ominous and sordid.

The dancers in their castaway beachwear inspired costumes moved fantastically in the lighting that cast a soft bronze glow over their gracefully offbeat and quirky movements.

The mixing or editing if you like of the girls story and the music was interestingly replied to by the movements of the dancers there was an element of a gritty hip hop style urban attitude. Mix those with effortless graceful movements and the contrast is immense and it’s quite awkward looking at points, which adds to the atmosphere already created by the strange story the girl, is telling.

These movements become more intense and animalistic as the goal the American is trying to score becomes more imminent and apparent that it is going to happen.
And although the woman appears to enjoy what a stranger is doing to her the story is abruptly cut off thus leaving the ending to the imagination. For me the whole piece was thrilling throughout. and the chase of the girl by the boy is apparent but also sometimes blurred and it becomes unclear who is chasing who as the story and meaning become as mixed up with the beats and sounds of Fisherspooner.

More couples join the boy and girl on stage to complete the piece to create a series of overlapping duets and trios. The narration continues throughout the piece, often repeating in both French and English the dialogue between the two. Fischerspooner’s minimalist, electronic sound was soft, and meant as background noise rather than as a rhythm for Petronio’s kinetic, flowing movement.

 

Bloom

The use of the voice of Rufus Wainright in this piece was wonderful, his voice raw and strong, distinctly his. And although I was sure his voice may take over in terms of where my attention was at, it didn’t, well at least not all the time.
The acapella style with the choir sounded lovely and the dancers moved fluidly and fluttered all about the stage in rapid movements reminiscent of leaves falling to the ground in autumn or feathers being ruffled and flying in all directions.
During the piece as the tempo quickens, the dancers, dressed in pale blue, dart and spin and leap in mesmerizing patterns around the stage. A recurring image is of a dancer laying down, center stage, developing and extending her legs gradually toward the ceiling, as if she were blooming. The piece itself blossoms and becomes an ecstatic, heavenly tour de force.

This is the story of a girl in a world

It promised to be great, with the voice of Anthony from Anthony and the Johnston’s featuring! I was wondering what magic they would be able to conjure up by using Anthony’s heavenly voice to inspire a dance. Amazing, but no instead we got the album played back to us and the dancers floundering around trying to gel the music and their movements together, which was especially difficult to make look credible with the live version of one song featuring Lou Reed, especially when the audience in the song start clapping. The dancers look completely lost, in trios and solos, the dancers moved lyrically and sensually, but lacked emotion.
The whole piece, which was split up into five sections, was very disconnected. However over all I felt this last piece was more about the music and not the dancers and that the dancers just looked surplus to requirements and quite detached from what was happening
I also thought that the fact that the songs were just played from an album that I felt it could have been any album and it would probably have had the same effect. Even something pop or commercial and in a way it could have made it more controversial than just choosing Anthony with his gender confusion issues. Which I understand fits in with the way that Petronio works but I find it just a little to predictable.

 

la biennale di venezia 2008
beauty- biennale danza

Stephen petronio Dance Company
Venezia, 15 giugno