VENEZIA.66

 

the Man who stare at goats

di Grant Heslov

Stati Uniti 2009, 90'

 

Fuori Concorso

 

29/30

When during a conference on Bad Lieutenant a journalist asked Herzog what message he was trying to convey by means of his movie, he replied that if he wanted to get a message across, he would use FedEx instead of crafting another film. Ironically, it’s the evil genius of cinema, a man almost obsessed with movie making that treats us to this cold shower. He reminds us that cinema is there to entertain and that even the most believable documentary is lastly just a piece of fiction. And if you still set your mind to communicating something significant to the people, at least don’t make it boring and don’t leave a huge gap between the quality of the message and the way you express it.
That said, The Men Who Stare At Goats by Grant Heslov was a pleasant getaway from the pretentious, politically involved, VFF sponsored intellectual masturbation that made me fall asleep in the middle of the day. It’s a witty little comedy that’s more Coen-ish than anything the Coens have ever done. First of all, it brings to new light the genuine comedic talent of George Clooney. The longtime Coen collaborator is finally given the chance he was deprived of in Burn after reading, where he wasn’t all that convincing in as an extremely good looking government agent who resorts to internet dating. This time, equipped with an 80s porn star moustache and a selection of questionable killing techniques, he introduces us to Lyn Cassidy and the hilarious (and to some part true) story of a special U.S. army unit that has been trained in the fields of the paranormal. The comedy works through creating moments of embarrassment and uneasiness (the Coens again), as most of the psychokinetic skills Lyn tries to put into motion turn out to be a hoax or exercises in self-deception.
Another quality of the movie is the presence of Jeff Bridges, who does a brilliant job at depicting the pioneer and guru of this strange army movement. After painfully noticing during a dispatch in Vietnam that most of his men don’t shoot to kill, he gets a dharmic vision which leads him to believe that their natural good and gentleness can be channeled to create invincible soldiers, destined to bring peace to the world. He turns from army redneck to hippie, almost identical to the one Bridges played in The Big Lebowsky, a movie by…the Coens. After years of gathering valuable information from naturists and Krishna followers he assembles a group of outsiders, who in the course unorthodox, drug-induced training learn to use their minds as dangerous weapons. The soldiers’ faith, especially Lyn’s, in what they’re being taught, is as amusing as it is touching.
The downside of the movie though are Ewan McGregor and Kevin Specey. The former I like very much, but I must admit he isn’t cut out to play in comedies. The latter I simply hate, and it’s a shame the part of Cassidy’s arch nemesis didn’t go to someone more capable, like Gary Oldman or Robert Downey Jr.
All in all though, the movie is great entertainment and squeezes out quite a few laughs if only you manage to look passed the constant references to the Coens, which at some points are almost impertinent (just compare the posters of TMWSAG and Burn After Reading). But if Heslov’s movie was a conscious tribute to the Coens, he couldn’t have done a better job and would easily deserve to be called the third Coen brother.
 

12:09:2009

SITO UFFICIALE

 

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Venezia, 02/12 settembre 2009